Lost Love


The movie "Lost Love" is a very touching romance film, which adapted from the novel "Still Love" written by Chinese famous writer Leng Ning. By describing two struggling and heartrending love experiences with two deeply impressed girls, the film explores the true meaning of human life and shows the spectacularity of pure love. The story is based on the author’s true experiences and tells the
story of a writer who accidentally got involved in a romantic entanglement with two girls. The two love stories are both pure and shocking, but also too complicated and confused. Love is romance, is beautiful, but also annoying, hurting and exhausted. But through love, they eventually found the true significance of life. 

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Together Apart


In the vast countryside of China, the Spring Festival is a ceremony cut in time - for practical reasons, it is a short 7-day "gathering" that measures the long 358-day "departure".

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Kung Fu Juniors

In a narrative form interweaving cliffhangers and flashbacks, the feature film "Kung Fu Juniors" depicts the commitments to Kung Fu in the Family for four generations from the Greater Bay Area (Foshan), throughout the story in their youths.

The Film portrays four eras, 1925, before the Canton-Hong Kong Strike broke out, 1949, before the founding of New China, 1992, the year Hong Kong film industry reached its peak era, and impromptu speeches were delivered on the Southern Tour, and 2019, in this day and age. These Family stories present the vicissitudes of times in the Greater Bay Area over the past century, also the core values of Kung Fu to personal growth, family tradition inheritance and national identity midst society background differences. The Film profoundly interprets the ideal of "If the youth are robust, our Country will be robust" and the tenacious inheritance of the Kung Fu mettle spanning centuries.

 

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THE COLD AIR

In a small town in the northeast, a car sirens on the street, breaking the winter tranquility. Li Yang wants to leave the county and say goodbye to this town. 

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Phantom Pursuit

Phantom Pursuit follows a security guard on a thrilling escapade after he accidentally discovers a huge amount of cash in a vehicle left in a parking lot. As he drives the dusty sedan to escape from pursuit, the bizarre car accident on the mountain road late at night, the sudden emergence of the pursuer, and the shocking truth scattered among the mountains turn the original simple greed into a moral test of life and death. On the banks of the river at dawn, this crazy nocturnal journey full of reversals finally leads to a shocking redemptive final chapter. Through its unique night-vision aesthetics and interlocking narrative rhythm, the movie presents a black road fable full of human struggles. 

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The Ruin

A sick child, a single mother with a meager salary, a man with ulterior
motives and the unpaid demolition compensation... The noise of the
construction site and the music of the music box interweave to create a
fragmented "home". 

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Remembering

The microfilm *Remembering* portrays a heartwarming story between Lan Lan, an elderly woman with Alzheimer's disease, and her husband Shi Yongzai. Lan Lan's memory remains fixated on the significant moment preceding her husband's retirement due to her condition, persistently striving to complete her signature dish "Fei Teng Yu Pian" (Sichuan-style Boiled Fish Fillet) intended to celebrate his retirement. Confronting his wife's progressively fading cognition, Shi Yongzai compassionately assumes different identities through daily role-playing to maintain his presence by her side, steadfastly upholding his youthful promise of "always being by your side". 

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The Spring Never Returns

Zeng Shaoliang is a congenital AIDS carrier. His mother left him and was declared a missing person. His father passed away a few years ago due to AIDS. Zeng Shaoliang lived with his grandmother. Last year, his grandmother also passed away. He now lives alone in a house provided by the government. Every day, his uncle brings him meals. When it was time for him to go to school, neither the village nor the town schools would accept him.

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The Spirit Within the Stage and Screen

As traditional opera films decline in popularity today, it may be time for us to revisit history in search of answers and new approaches. This film adopts the method of “oral history through images ” to document the personal memories and life experiences of opera film directors, revealing how they creatively accomplished the intermedia transformation of traditional opera from stage to screen, in the hope of offering insights and references for the study and creation of opera films. 

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Ebb and Flow

Liang Kai, who is set to immigrate to the United States on the second day of the Lunar New Year, is about to spend his last Chinese New Year in his hometown. In order to bid farewell to his friends, family, and the place he grew up, he decides to set off fireworks for the final time on New Year's Eve. However, the city where Liang Kai lives has enforced a strict ban on fireworks for many years...

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HOTLINE BEIJING

The film focuses on the innovative practice of the "Receive and Respond to Complaints Immediately" reform, addressing common governance challenges faced by mega-cities worldwide. It paints a dynamic picture of how a single hotline has driven governance reform in a mega-city. Using an international narrative style, the film presents Beijing’s story of "Chinese governance" to a global audience. The documentary vividly captures the heartfelt experiences and emotions of the personnel working in the *"Receive and Respond to Complaints Immediately"* system across various roles. 

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寻觅三生

"Life, Survival, Living" is a unique Three-Life Education program in Yunnan, which has evolved into Mr. Phoenix's distinctive "Three Lives" in Dali—Survival, Living, and Vitality 

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SEE YOU

In Yongning Ancient Town, Quanzhou, Fujian, China, Abin and his girlfriend live in the Wuliu Courtyard with six cats and a dog. Their journey from “escaping the world” to “secluded living” feels like a fairy tale. Behind this idyllic and tranquil life lies a cat named See You. This is a poetic journey of simplicity and contentment, set in the final homeland of southern Fujian, where they embrace the overlooked, slow, and warm rhythm of life

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寻梦葭莱坞

This film follows LELY, a young woman returning from Hollywood, as she documents her poetic encounters and spiritual odyssey through four ancient villages along the western banks of the Yellow River's

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Silent Crescendo

Sixteen-year-old Zhu dreams of piano fame, ignored by classmates. His father demands exam focus with prescribed pieces, but Zhu secretly reworks them for his own audition.

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Combustible Point

The naturally beautiful thirty-year-old model Yu Man finds herself at a low point in her career, forced to make ends meet by delivering takeout while tirelessly working to pay off her younger brother Yu Di's debts. Her roommate Shen Que, a survivor of the Haihe fire incident fromten years ago, suspects that Yu Man took advantage of their cohabitation to burn her fire investigation documents. Furthermore, based on subtle clues, Shen Que believes Yu Di was the arsonist responsible for the fire back then, which has fueled her hostility toward Yu Man, leading to constant arguments between the two. Just as Yu Man’s finances are stretched to the limit, her gambling-addicted brother shows up demanding money and resorting to violent threats. Unexpectedly, in this moment of crisis, ShenQue—the roommate she always disliked—steps in to help. In doing so, she uncovers long-buried memories from years ago…

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Dream Therapy

Dream Therapy follows Wen Ran, a high school student struggling with academic anxiety. One night, she enters a surreal dream world where she encounters her future self. Guided through mysterious corridors, blooming gardens, and a hall of mirrors reflecting multiple possible futures, Wen Ran ultimately meets her older self on a rooftop. In a quiet, emotional exchange, her future self offers perspective and comfort, encouraging her to relax and reconcile with herself. Upon waking, Wen Ran feels a sense of relief. She reaches out to her mother for a weekend walk in nature—an act that signals emotional growth and inner transformation. Through poetic visuals and symbolic imagery, the film sensitively explores the inner world of teenagers facing pressure, delivering a hopeful message: Only by learning to let go can we move forward.

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So Like My Native Hills

The cycle of mountains and people always involves changes between life and death. However, there are always things beyond the rules, overlooking all movements, neither happy nor sad. The work records the reincarnation in Shui Nan Village from an observer's perspective, exploring the deep meaning behind the ruins, ancestral halls, and spring plowing routines, where the emotions of the younger and older generations overlap.

From ruins, ancestral halls and residential buildings, the silent mountains and the gazes of the onlookers converge, jointly gazing at "life". In this changing chapters, we long to find that moment similar to the past, to determine where we came from. In this way, the work hopes to inscribe an eternal self-questioning about the undefinable emotions of homeland, tracing for the lost and unreturnable past. 

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Shelter

The story is set on a seemingly uneventful afternoon. Qisi is organizing the clutter, accidentally found a CD. Her boyfriend nervously snatched away and claimed that it was only company information. However, the doubts in Qisi's heart did not dissipate, she secretly viewed and found that her boyfriend had done something to her in a special space, and before she could find the truth, her boyfriend went into the study to snatch it, and the cell phone fell down and accidentally became the key to unlock the image of twenty years ago. Originally, the boyfriend in the imminent arrival of the end of the time choose to upload the consciousness to create a space of consciousness, Qisi just rely on the intact preservation of the brain, in this false world day after day. Image at this moment, the two of them are jointly faced with the decision to turn on or off the anthropomorphic environment. Qisi was caught in a deep struggle, and after an inner torment, she finally made her own choice. 

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Bye, Spring

The girl Yu Shengnan grew up with her grandmother and mother, relying on each other for survival. Her mother's sudden passing shattered the peace. As her mother was dying, her last wish was to entrust Shengnan to her father, who had been divorced for many years. Shengnan, though young, waswell-behaved. She was unable to express her inner sorrow and could only go along with the wishes of her elders, pushed forward by their decisions. She did not understand what this farewell meant, only seeing the passing of a spring and the withering of the rapeseed flowers. Shengnan, her grandmother, and her father each had their own thoughts, accepting both a farewell and a new beginning.

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The Person Without a Name

“The Person Without a Name” stems from an infatuation with the unreliability of childhood memories. Spaces such as amusement parks, fields, railway tracks, and rivers—these once bore an individual’s earliest joys and traumas, yet over time, they have crumbled into fragmented imagery. The film endeavors to explore a central theme through a boy’s wandering: when the concept of "home" is absent in reality, how do we reconstruct a sense of belonging with the shards of memory and private rituals?

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镜外

Outside the Mirror is a highly self-reflexive short film that explores the intricate and fragile boundaries between reality, fiction, performance, and the inner psyche through a consciously adopted "metamedia lens." Utilizing a nested "play-within-a-play" structure, a confined and enigmatic film set space, a camera and suitcase endowed with surreal functions, and a protagonist trapped in a loop of madness, the film attempts to understand or reach the truth "outside the mirror" within a narrative maze collectively woven by consciousness, social roles, and media technology. 

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Memory · Blue

"Memory · Blue" attempts to delicately capture the emotional weight carried by objects through calm and restrained images, outlining the complex emotions of modern people when facing memory, family affection and self-worth. The film presents not only the story of a fashion designer regaining inspiration, but also a private poem about how to retrieve the fragments of love from the ruins of memory and thereby rebuild the inner order and connection of life.

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Wu Wu Ming

"Wu Wu Ming" (Enlightenment of Non-Ignorance) is set against the backdrop of a quintessential contemporary Chinese urban-rural fringe area. It focuses on the existential state of an anonymous small-town youth. Employing an almost detached, "silent observer" perspective, the film extensively utilizes long takes and richly metaphorical environmental imagery. With a cold yet poignant subtlety, it delineates the pervasive dilemmas arising amidst the interwoven post-industrial landscapes and remnants of rural nature: the protagonist's loss of identity, the futility of resistance, and the collective displacement of spiritual belonging across generational shifts.

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White Day of the Beginning of Autumn

"White Day of the Beginning of Autumn" adopts the perspective of a detached observer of life, calmly immersing the camera into the daily fabric of a small town. It attempts to outline the common spiritual predicament faced by contemporary Chinese small-town youth through a personal story of returning home, trauma, and departure. In the tug-of-war between tradition and modernity, the wavering between hometown and elsewhere, and the disillusionment of intimate relationships, how do individuals seek emotional anchors and the courage to exist. How do they perceive the unique, cool glimmer and turning point of the "Beginning of Autumn" season beneath the "white day" of life.

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Spring Will Be Fine

“Spring Will Be Fine” is an experimental short film focusing on the profound alienation, identity loss, and spiritual confinement experienced by modern individuals within a highly materialistic and technologically driven society. Through a series of visually symbolic images, the film portrays an anonymous man struggling to find identity and spiritual liberation within an alienating environment saturated with cold symbols, artificial falsehoods, and invisible suffocation.

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A Train Passes By

In a southern town, Wu You passes through the railway tunnel every day. Until one day, an unopened letter appears in the corner of a poster. As the train's roar echoes through the tunnel once more, she gathers the courage to open it—only to find the endless train disappearing into the distance.

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SHU JIU

SHU JIU set against the backdrop of a transforming industrial town in Northeast China, the film tells the story of a young man left unemployed after the demolition of his workplace—a traditional errenjie theater. By chance, he enters the profession of a mobile bath assistant, serving elderly clients with limited mobility. Through bathing these fragile bodies, he confronts the vulnerability and dignity of life while tracing fragmented memories of his late father in the seniors he cares for. Gradually, he uncovers the unspoken emotional bonds between generations and comes to understand the true essence of compassionate care. With quiet warmth and subtle grace, The Long Winter weaves the cultural shifts of Northeast China into its narrative. It delicately portrays ordinary youth navigating survival and emotional redemption amid societal transformation, offering a poignant meditation on aging, mortality, and the reevaluation of kinship and memory.

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孑孓

Wriggler takes the throbbing of life from a microscopic perspective as its starting point, constructing a psychological space full of symbols and metaphors, and profoundly exploring the spiritual dilemmas of women under the confusion of identity, the oppression of gender gaze, and existential loneliness. The film adopts a highly visualized "inner bystander" perspective, integrating surreal elements such as broken reflections and dilapidated idols, delicately outlining women's emotional torn when facing internal constraints and external discipline, as well as the hidden journey of seeking self-liberation and reconstruction on the verge of disillusionment and destruction.

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Passing the Wind, Fire and Dancing Meteors

Have you ever seen Meteors dancing in their hands? Let's follow the perspective of Han Jiayue, a young inheritor of intangible cultural heritage, and enter Fenghuoliuxing, experiencing the shocking scene of "wind makes fire more vigorous".

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Melody of a Foreign Land

The Zhuang people in Guangxi love singing folk songs. The singing culture and ethnic characteristics have formed the Zhuang folk songs. However, nowadays, it is hard to find the traces of folk songs. 

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The Dark Night

In 1944, in the puppet state of Manchukuo, the underground Communist Party members united
with civilians to engage in a desperate struggle against the Japanese Kwantung Army's 100th
Division.  

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The Tailor’s Shop

The story takes place in the puppet state of Manchukuo during the War of Resistance against Japan, set in a tailor shop in Xinjing. It reflects the changes in the larger environment through the joys, sorrows, partings, and reunions of the small characters in the tailor shop. The female owner, He Qiaoyun, along with her sisters Su Zi and Xiao Puzi, comes together due to their tragic fates and adopts an orphan named Xiaer. The four of them live together in this tailor shop, relying on each other for survival. However, the arrival of the Japanese soldier Hanzo, harboring ulterior motives, disrupts their peaceful life. The three sisters engage in a battle of wits and courage to protect what is considered "precious" to China, ultimately meeting their heroic end.  

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The Horn of The East

The story tells of a child who, in order to win a medal, pesters an old soldier to listen to him blow his horn, and a touching love-hate story unfolds between the two.

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Reborn

This is a story about an ordinary family coping with immense tragedy. Seven-year-old Xiao Yun, the only child of Xue Qing and Hao Hua, dies of illness, leaving the young couple shattered.

Unable to accept the loss, Xue Qing begins caring for a cloth doll as if it were her son—dressing it in his clothes, feeding it, and playing with it. Hao Hua, though rational, is torn by her obsession. He urges her to face reality, but their constant arguments deepen the tension at home.

One day, Xue Qing meets a woman online who claims she can create lifelike dolls for grieving couples. Desperate to fill the void in her heart, Xue Qing convinces Hao Hua to agree. When the doll arrives, she regains the joy of motherhood, and Hao Hua reluctantly plays along as a father. For a time, their lives seem steadier.

Yet neighbors and friends begin to whisper. Some believe Xue Qing is losing her mind, while others suspect darker secrets behind the doll. Under this pressure, the couple’s fragile bond strains once more. Xue Qing insists the doll is her son; Hao Hua struggles to bring her back to reality.

With the support of a close friend, Hao Hua finally understands that Xue Qing’s attachment comes from her longing for hope and trust in life. After much struggle, she accepts Xiao Yun’s passing. Supported by family and her husband’s love, she rebuilds her strength, their relationship, and their faith in life. 

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红发卡

Even if life and society allow thorns to grow from the love between two people, inadvertently hurting each other in fleeting moments, the affection in their hearts will still ceaselessly guide them to reveal their softest and most sincere emotions. Lin Xia keeps dreaming of a little girl wearing a red hairpin calling for help, only to wake to eerie letters whose handwriting matches her daughter’s childhood diaries. Her daughter’s inexplicable obsession with the red hairpin further deepens Lin Xia ’ s confusion. Through letters transcending time and space, two generations uncover buried pains. Though belated, promises remain honored as scattered red hairpins piece together a mother-daughter embrace displaced by twenty-five years 

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The Groth Path Of A Girl

This drama film mainly tells the story of Qin Nan, a girl from a small county, who "fights against" her original family after failing the college entrance examination (Gaokao). When Qin Nan was in junior high school, her brother Qin Yu got married and had a child. Later, her brother went to work in a city, while her mother was busy taking care of her grandson and gradually ignored Qin Nan. The story begins on the Qingming Festival. Qin Nan has made many preparations for repeating her senior high school studies and decides to prepare for the next year's Gaokao. During this holiday, her brother who works away from home returns, and conflicts arise at home over the child. She feels that this home belongs to her less and less. She wants to escape but is confused and doesn't know how to choose. 

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The Nightingale and the Rose

The Nightingale and the Rose —— Shadow Puppet Stop-Motion Animation Adapted from the eponymous fairy tale by British author Oscar Wilde, this film tells the poignant story of a nightingale who believes in true love and embarks on a difficult quest to find a red rose to help a young student win the heart of his beloved. In the end, the nightingale sacrifices her life, using her own blood through magic to create a perfect red rose.

However, human love often fails to withstand the tests of worldly vanity and indifference. The
animation employs vintage-inspired shadow puppet materials and integrates a visual style of dark
humor to present an absurd yet tragicomic narrative, offering a critical interpretation of romantic
idealism and societal disillusionment. The film does not directly negate love or its significance,
but rather presents the beautiful and cruel paradoxes of love simultaneously. 

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秀兰

By recounting the story of the protagonist and their grandmother during the final years of her life, it explores the emotional changes the protagonist experiences as they grow up, facing their aging grandmother and mother. This timeline reveals the evolution of family relationships, shifts in identity recognition during individual growth, and the emotional journey through life and death. It delves into a deep resonance and reflection on family emotions, personal existence, and the meaning of life

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Fresh flowers in bloom on rocks


The film tells the story of three generations of the Shitanggen family in Shitongtang Village, a
mountainous area in the Zhuang ethnic region of Xichou, Yunnan Province. They strive to survive in difficult circumstances and dare to challenge the harsh environment. They lead their fellow villagers to build and transform their homeland. With tenacity, hard work and scientific innovation, they turn the severely rocky and barren mountainous area into a livable and prosperous karst oasis with beautiful environment and thriving industries. The film praises the indomitable spirit of the people of Xichou, who have endured countless hardships and setbacks. With firm will and practical actions, they have fought against rocky desertification and poverty. They have used chisels, sledgehammers and their bare hands to chip away, hammer and dig, creating a dramatic transformation and historical miracle in their hometown. The film recreates history and showcases the present, celebrating the self-reliance, hard work, and determination of the people of Xichou to "work hard rather than suffer, and take action instead of waiting" in the face of difficulties and challenges. 

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李子洲

Li Zizhou, a pioneer and founder of the revolution in northern Shaanxi, successively held important positions such as Principal of Suide No. 4 Normal School, Vice President of Zhongshan College, and Minister of Organization of the Shaanxi Provincial Committee of the Communist Party of China. Throughout his life, he dedicated himself to developing education, establishing Party and League organizations, cultivating revolutionary armed forces, and extensively uniting farmers, sowing the seeds of revolution across the land of northern Shaanxi. Faced with the severe revolutionary environment and betrayal by traitors, he remained unyielding and eventually passed away heroically in prison, interpreting with his life his boundless loyalty to the Party and the people.

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I

The film depicts the inner struggles and survival challenges faced by "me," an intern who is about to become a regular employee on a film set, in today's society where the value of academic qualifications is increasingly depreciated. In the face of a sudden fire on the film set, I unconsciously respond to various emergencies like a chameleon, constantly changing my appearance and personality, just to find a place and maintain my footing in this fiercely competitive workplace jungle where academic qualifications are devalued. However, on this journey of survival and self-awareness, when I am asked to find that purest part of myself, I find myself lost in a fog. The multiple faces I have created for survival make me question: which one is the original, most authentic, and truest version of me?

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平衡

In a one-child family in China, a mother and daughter carried out a story design: Long ago, there was a village ruled by monsters. Villagers could only enjoy favorable weather by worshipping monsters. The monster had a balance and asked the villagers to go to its palace to weigh it every day. If the balance was out of balance, the monster would eat the lighter villagers. Most of the villagers here are twins, so there is no need to worry about imbalance when both twins are on the scale at the same time. The protagonist is a twin who, though he tries to pass the weight several times, is eaten by the monster in the end, but he discovers the monster 's secret inside, and we will also discover the mother' s secret in real life......

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Litchi Village

"Lichi Village" is inspired by a series of investigations into Guangdong’s lychee industry. In recent years, the industry has made significant progress in cultivation management, post-harvest preservation, and pesticide residue control, with lychee farmers continuously updating their practices. However, challenges remain in increasing the added value of lychee products and breaking consumers’ perception of agricultural goods as "low-tech and low-value-added." The film follows Jun, a young man who dreams of growing the world’s best lychees. Returning to his hometown, he overcomes traditional farming limitations and solves cultivation challenges through innovation. Through animation, the work aims to portray a new generation of farmers—optimistic, humorous, and forward-thinking—reflecting the real lives and spirit of modern lychee growers in Guangdong.

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Trash Monarch

Trash Monarch is a theatrical-style short film focusing on urban elderly groups. With elderly people in the community competing for garbage resources during the Spring Festival as the clue, it breaks the stereotype of the elderly as "passive dependents". Jiang Linxi, a retired teacher who moves due to her daughter's unemployment, organizes the elderly to build a waste recycling network for self-worth, but faces her children's misunderstanding and group competition. Finally, she finds a new life dimension in square dancing. Using a 5:4 retro frame, teal film color grading, fixed shots, whip pans and other techniques, with dialect voice-overs and adapted Carmen soundtrack, the film relies on amateur actors' original performances to reveal intergenerational cognitive differences and call for attention to the diverse values of the elderly.

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Whale

There is a whale family living in the aquarium, and the whale grandmother hopes that the little whale can learn performance skills and have a good life in the performance area like its mother, so she assigned a long series of training tasks to the little whale. But the little whale wanted to be free outside the aquarium, so it abandoned its training mission and escaped to play outside. When it came back, it was discovered by its grandmother and had a big argument. It broke the glass and escaped from the aquarium.

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She creates waves

This documentary focuses on female entrepreneurship, presenting through the lens of three trailblazing women: Huang Kaili (a Douyin e-commerce blogger), Tian Yifan (founder of a technology education company), and CC (owner of a women-oriented lounge bar). Against the backdrop of contemporary society, it chronicles their journeys of breaking through societal stereotypes to establish themselves, shaping their proactive and courageous approach towards embracing the new era. The film highlights the pursuit of independent values and life purpose among women in China's new economic landscape, showcasing their empowered personas in the modern age.

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趁东风

The story unfolds in a small kite shop in Yangjiang, Guangdong during the millennium. Through the interaction between the shopkeeper grandpa and his granddaughter, it tells the story of the "Lingzhi" kite passed down orally. The "Lingzhi" kite runs through the cultural inheritance and the granddaughter's growth, who inherits the shop and tells the story to her child.

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茶灵

The animated short film Tea Soul is an ecological-themed work set against the backdrop of Guangdong's Fenghuang Dancong tea culture. The story is based on the ancient tea tree "Song Zhong No. 1," telling the tale of a young girl who leads the tea-scented spirits to save the ancient tea tree and protect the tea mountain ecosystem. The story reflects the conflict between economic development and environmental protection.

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Being Here, There, Everywhere

"Being Here, There, Everywhere" follows Jordan as he navigates the chaos of his quarter-life crisis. From facing failure and self-doubt to moments of fleeting joy and reflection, the film takes us through his journey of trying to make sense of it all. With a mix of everyday struggles, surreal moments, and raw emotions, it’s a story about feeling stuck, finding purpose, and figuring out how to move forward—one small step at a time.

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Dance with Me

“Dance with Me” is an experimental documentary tracing a 16-year-old boy’s restless search for meaning. Through an encounter with a ballet dancer, he begins to explore freedom, passion, and the deeper existential questions—ultimately breaking free from the confines of his own mind.

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Lateral

When a mixed Asian writer gets the chance to possibly have their film made, their pitch goes awry when they're shunted to a darker dimension where people's real natures come to light.

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Becoming Forensics

A young crime scene investigator finds a new lead and decides to investigate alone at the scene of the crime.

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Better to be Single

With a monster on her back, a single 30ish woman has to confront a toxic friend to free herself.

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The Lonely Ocnus

While Son hesitates to call his ex, he unknowingly neglects both himself and his goldfish.

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Compassion Sand Mandala

Creation and destruction of the Compassion sand mandala.

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Bitter Melon

A terminally-ill Chinese immigrant father Wei (威) struggles to connect with his timid, westernized daughter Suzy (蘇濟) as they share a warm meal at the family dinner table. Wei expresses his love through carefully prepared meals, believing that food is his way of connecting to his daughter. He fails to realize, however, Suzy's efforts in trying to communicate with him through her own medium. Suzy also fails to understand Wei's gestures of love, creating a growing emotional distance between the two.

Will Wei and Suzy come to realize the depth of each other's love before it is too late?

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What the eyes remember

Experience the recollection of a sexual assault victim, starting in the police interrogation room, where she recalls her meeting with the bylaw officer.

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What the eyes remember

Milo has a mask, and every time he puts it on, he is transported to a world full of sunflowers. There, he meets a girl in a white dress who, without realizing it, will lead him to face his greatest fear: taking off the mask.

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Hello, Wish You Well, Goodbye

A narrative film about a Korean-Canadian teen struggling to connect with his sick Aunt, due to his limited Korean skills. Through moments of miscommunication and effort, he learns that love and connection go beyond words. This heartfelt short film explores family connections, culture, communication barrier, and the quiet strength in simply trying.

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